Jane Underwood had a unique vision when she developed the Round Robin class. By combining several elements—partnering, repetition, practice, feedback, and dedication—she created not just a writing course, but an actual community, one that has continued and grown for over a decade
Running concurrently with the Daily Write Round Robin, the Round Robin Writing Group will respond to your specific writing needs and interests, connect you with like-minded writers, and provide insights into process and craft
The Creative Nonfiction Writing Group is designed to foster creative growth where writers can hold each other accountable, give and receive feedback, and ultimately form relationships with other writers that will encourage them to commit to the page the stories they feel most called to tell
This remote poetry “class” offers a unique opportunity for personal and intimate poetry instruction. Students will work with Brian Tierney one-on-one, via written correspondence over two months, during which students will compile and send three "packets"
In this remote class you will plunge into the personal themes that make your real life stories uniquely yours. In the first half of this class, instructor Alison Luterman will give you writing exercises carefully designed to elicit the undertones and overtones that elevate events and anecdotes into the realm of art
The Novel Writing Group is designed for writers who have made some progress on their novel (from a complete first draft, to a few chapters, to a detailed outline). The group will provide new novelists with practical tools to help them make progress with various aspects of novel-writing
This online creative writing workshop will enable class members to deepen reflection on their own work, receive focused feedback from classmates and instructor, and inspire development toward class members’ finest hopes for their writing projects
Absence of any kind can often overwhelm us, rendering us silent. But as writers, we have tools at our disposal with which we can approach these empty spaces—and the empty page
“Big Secret Number One to writing fiction is that you have to make a mess. Many messes,” says instructor Steve Mitchel. “You have to throw truckloads of words down onto the page knowing full well that most of them will end up in the compost
In this class, through weekly, prompt-driven writing exercises, we’ll sift through our memories, everyday experiences, and preoccupations with a sense of adventure and curiosity. To make our stories vivid and captivating, we’ll learn about essential craft elements and practice applying them to our own lives