“Whether you’re working on a novel or shorter fiction, the Three D’s are essential,” says instructor Lisa Moore Ramée. “This class will give you tips on how to create descriptions of a world and the characters in it, dialogue that rings true, and dramatic scenes with gripping conflict
What makes a character like Harry Potter or Katniss Everdeen or Walter White so memorable? “Their predicament may be foreign to us and we may not approve of all their choices," says instructor Kate Montgomery, “but we connect with them on a visceral level. They make us care
“Ever since I began writing, I’ve been fascinated by the short story form,” Jennifer Lewis says. “You can read a short story from beginning to end in one sitting. I love the immediacy and resolve, the feeling of completion with an economy of words
In this remote class you will plunge into the personal themes that make your real life stories uniquely yours. In the first half of this class, instructor Alison Luterman will give you writing exercises carefully designed to elicit the undertones and overtones that elevate events and anecdotes into the realm of art
The Novel Writing Group is designed for writers who have made some progress on their novel (from a complete first draft, to a few chapters, to a detailed outline). The group will provide new novelists with practical tools to help them make progress with various aspects of novel-writing
“The best way to learn anything is to DO it,” says instructor Kate Montgomery. “In this fun, informative boot camp, you'll get into the process right away. With an interactive mix of lecture, discussion, screenings, and group and individual writing exercises, you’ll learn and apply the basics of professional screenwriting
This class is a hybrid take on the traditional workshop model, and while the workshop will be a major component of every class, writers will also have space to generate new material in class
In this online class we'll look at examples of short pieces from practitioners such as Lydia Davis and Russell Edson, and we’ll explore how to incorporate techniques like free association and juxtaposition into our work. Then we'll write, share, and write some more
Instructor Elaine Beale says, “The best writers create stories that resonate long after a reader has finished the final page. To do this, you have to be willing to go the places that may feel uncomfortable or complicated, to be both brave and curious
In this 3-week class, we'll look at poems by risk-taking poets like Diane Seuss, Danez Smith, and Chen Chen, among others. We’ll use these poems as jumping-off points for our work, doing prompt-driven writing inspired by what we find there