“Revising gives us an opportunity to see our work in a new light,” says instructor Brian Tierney. “Sometimes you take a poem off its tracks and discover a whole different route; sometimes you need to fix the wheel, or the engine, or the headlight
“Zombies. Vampires. Aliens. Heroes and villains and criminals. Worlds of wonder and dark alleys full of terrors. If these elements catch fire in your imagination, you're in good company,” says instructor Jay Ridler
When we read good stories they tend to endure in our hearts as touchstones that enrich our understanding of the world. We’ve all had the experience of reading something we like and wondering how the author developed such a breathtaking idea, with such compelling characters, and brought it to fruition
In this class you will plunge into the personal themes that make your real life stories uniquely yours. In the first half of this class, instructor Alison Luterman will give you writing exercises carefully designed to elicit the undertones and overtones that elevate events and anecdotes into the realm of art
In this class, you'll develop concrete skills and narrative techniques through fun writing exercises designed to help you master your craft. At the end of five weeks, you'll have a better grip on how to use these techniques (for developing character, setting, and plot) as tools for building your story
“Each of us has a story to tell, but finding the words and voice for that story is an art and craft specific to each individual,” says instructor Kathy Garlick. “This class is designed for writers who may be uncovering and sharing that story for the first time
Have you ever experienced the nagging feeling you ought to be writing down your life stories, but have simply lacked the time and the tools to do it? If so, this is the class to jumpstart your memoir-writing engine
“Let’s face it, you’re already in the business,” says instructor Kate Montgomery. “You’ve seen more movies than you can count and stayed up late way too many times to watch just one more episode of an addictive series on Netflix, Amazon or Cable
“So many of us think we should be able to sit down and write perfectly crafted sentences, paragraphs and stories without writing those raw first drafts,” says instructor Elaine Beale. “But the fact is that our ‘raw writing’ is not only necessary, it’s actually a lot of fun
This is a class for those who are familiar with the techniques and approaches Jay uses in helping writers find the stories and themes they care about the most: “plot talks” for digging deep into emotionally powerful material, playing with point of view and setting, compressing premises to get to the heart of the story